{"id":261258,"date":"2018-10-19T07:10:48","date_gmt":"2018-10-19T10:10:48","guid":{"rendered":"http:\/\/acaopopular.net\/jornal\/?p=261258"},"modified":"2018-10-19T07:10:48","modified_gmt":"2018-10-19T10:10:48","slug":"millor-fernandes-e-o-enorme-passado-que-o-brasil-tem-pela-frente","status":"publish","type":"post","link":"https:\/\/acaopopular.net\/jornal\/millor-fernandes-e-o-enorme-passado-que-o-brasil-tem-pela-frente\/","title":{"rendered":"Mill\u00f4r Fernandes e o enorme passado que o Brasil tem pela frente"},"content":{"rendered":"<p>&nbsp;<\/p>\n<header id=\"articulo-encabezado\" class=\"articulo-encabezado \">\n<div id=\"articulo-titulares\" class=\"articulo-titulares\">\n<div class=\"articulo-subtitulos\">\n<h2 class=\"articulo-subtitulo\">Mostra em S\u00e3o Paulo re\u00fane desenhos do artista brasileiro, que ressaltam sua genialidade, o humor \u00e1cido e as duras cr\u00edticas \u00e0 situa\u00e7\u00e3o pol\u00edtica, social e econ\u00f4mica do Brasil. &#8216;Mill\u00f4r: Obra Gr\u00e1fica&#8217; homenageia os 70 anos da carreira do artista e estar\u00e1 exposta no IMS, em S\u00e3o Paulo, at\u00e9 o dia 27 de janeiro<\/h2>\n<\/div>\n<\/div>\n<div class=\"articulo-apertura \"><\/div>\n<\/header>\n<aside id=\"compartir_superior\" class=\"compartir\">\n<div class=\"compartir__interior\">\n<div class=\"compartir-varios\"><\/div>\n<\/div>\n<\/aside>\n<div id=\"articulo-galeria\" class=\"articulo-galeria\">\n<div class=\"articulo-galeria__interior\">\n<div class=\"articulo-galeria-listado\">\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_1\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_1\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887857_album_normal.jpg\" alt=\" A exposi\u00e7\u00e3o do IMS, que esteve em cartaz no Rio em 2016, \u00e9 a primeira retrospectiva dedicada exclusivamente ao trabalho pl\u00e1stico de Mill\u00f4r, que, tamb\u00e9m escritor e tradutor, se definia a si mesmo como jornalista. Grande parte da sua obra pl\u00e1stica se desenvolveu para ve\u00edculos de imprensa impressos, da revista 'Cruzeiro' ao hist\u00f3rico 'Pif-Paf', que teve poucos n\u00fameros durante a ditadura, \u00e0 revista 'Veja'. Um dos motivos explorados foram os militares e sua vaidade, na s\u00e9rie em que aparecem ao lado de pav\u00e3o.   Desenho, s.d. Nanquim, ecoline e grafite sobre papel, 26,3 x 22,2 cm.\" width=\"980\" height=\"1231\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">1<\/span>A exposi\u00e7\u00e3o do IMS, que esteve em cartaz no Rio em 2016, \u00e9 a primeira retrospectiva dedicada exclusivamente ao trabalho pl\u00e1stico de Mill\u00f4r, que, tamb\u00e9m escritor e tradutor, se definia a si mesmo como jornalista. Grande parte da sua obra pl\u00e1stica se desenvolveu para ve\u00edculos de imprensa impressos, da revista &#8216;Cruzeiro&#8217; ao hist\u00f3rico &#8216;Pif-Paf&#8217;, que teve poucos n\u00fameros durante a ditadura, \u00e0 revista &#8216;Veja&#8217;. Um dos motivos explorados foram os militares e sua vaidade, na s\u00e9rie em que aparecem ao lado de pav\u00e3o.<\/p>\n<p><span class=\"foto-texto\">Desenho, s.d. Nanquim, ecoline e grafite sobre papel, 26,3 x 22,2 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_2\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_2\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887859_album_normal.jpg\" alt=\" O autorretrato e as in\u00fameras formas de escrever o pr\u00f3prio nome foram um das marcas do artista, morto em 2012.  Desenho com autorretrato, 2001. Nanquim, l\u00e1pis de cor aquarel\u00e1vel, crayon e colagem sobre papel, 21 x 29,6 cm.\" width=\"980\" height=\"655\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">2<\/span>O autorretrato e as in\u00fameras formas de escrever o pr\u00f3prio nome foram um das marcas do artista, morto em 2012.<\/p>\n<p><span class=\"foto-texto\">Desenho com autorretrato, 2001. Nanquim, l\u00e1pis de cor aquarel\u00e1vel, crayon e colagem sobre papel, 21 x 29,6 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_3\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_3\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887860_album_normal.jpg\" alt=\" A s\u00e1tira \u00e1cida e a convic\u00e7\u00e3o de que n\u00e3o existe humor a favor do poder foram marcantes na carreira.  Desenho, 1992. Colagem, hidrocor e corretor sobre papel, 32,9 x 21,6 cm.\" width=\"980\" height=\"1034\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">3<\/span>A s\u00e1tira \u00e1cida e a convic\u00e7\u00e3o de que n\u00e3o existe humor a favor do poder foram marcantes na carreira.<\/p>\n<p><span class=\"foto-texto\">Desenho, 1992. Colagem, hidrocor e corretor sobre papel, 32,9 x 21,6 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU1\" class=\"publi_luto_vertical\" data-google-query-id=\"CI_Eioihkt4CFdJnwQodnwwOTA\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu1_0__container__\"><\/div>\n<\/div>\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_4\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_4\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887861_album_normal.jpg\" alt=\" Durante toda a prof\u00edlica obra, Mill\u00f4r exibiu dom\u00ednio de t\u00e9cnicas variadas e das cores.  Desenho,1974. Nanquim,\u00a0crayon, aquarela e\u00a0ecoline\u00a0sobre cart\u00e3o, 26,5 x\u00a039 cm.\" width=\"980\" height=\"615\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">4<\/span>Durante toda a prof\u00edlica obra, Mill\u00f4r exibiu dom\u00ednio de t\u00e9cnicas variadas e das cores.<\/p>\n<p><span class=\"foto-texto\">Desenho,1974. Nanquim,\u00a0crayon, aquarela e\u00a0ecoline\u00a0sobre cart\u00e3o, 26,5 x\u00a039 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_5\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_5\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887862_album_normal.jpg\" alt=\" Desenho, s.d. Nanquim, aguada de nanquim, ecoline e grafite sobre cart\u00e3o, 22,8 x 28,1 cm. \" width=\"980\" height=\"789\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">5<\/span>Desenho, s.d. Nanquim, aguada de nanquim, ecoline e grafite sobre cart\u00e3o, 22,8 x 28,1 cm.<\/p>\n<p><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_6\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_6\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887865_album_normal.jpg\" alt=\"Desenho, 1971. Nanquim, guache e l\u00e1pis de cor sobre papel, 21,5 x 32,9 cm.\" width=\"980\" height=\"555\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">6<\/span><span class=\"foto-texto\">Desenho, 1971. Nanquim, guache e l\u00e1pis de cor sobre papel, 21,5 x 32,9 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU2\" class=\"publi_luto_vertical\" data-google-query-id=\"CPHeno6hkt4CFU0HgQodhFgKZA\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu2_0__container__\"><iframe loading=\"lazy\" id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu2_0\" title=\"3rd party ad content\" src=\"https:\/\/tpc.googlesyndication.com\/safeframe\/1-0-30\/html\/container.html\" name=\"\" width=\"300\" height=\"250\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" sandbox=\"allow-forms allow-pointer-lock allow-popups allow-popups-to-escape-sandbox allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" data-is-safeframe=\"true\" data-load-complete=\"true\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_7\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_7\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887966_album_normal.jpg\" alt=\"Desenho, 1967. Nanquim, ecoline e grafite sobre cart\u00e3o, 22,4 x 24,3 cm.\" width=\"980\" height=\"812\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">7<\/span><span class=\"foto-texto\">Desenho, 1967. Nanquim, ecoline e grafite sobre cart\u00e3o, 22,4 x 24,3 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_8\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_8\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887967_album_normal.jpg\" alt=\"A obra faz jus a um dos famosos aforismos de Mill\u00f4r: &quot;o Brasil tem um passado enorme pela frente&quot;, com temas que v\u00e3o e vem na esfera p\u00fablica, como corrup\u00e7\u00e3o e desespero na vida nacional.  Desenho, 2005. Nanquim, hidrocor, crayon, colagem e grafite sobre papel, 21 x 29,6 cm.  \" width=\"980\" height=\"1618\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">8<\/span><span class=\"foto-texto\">A obra faz jus a um dos famosos aforismos de Mill\u00f4r: &#8220;o Brasil tem um passado enorme pela frente&#8221;, com temas que v\u00e3o e vem na esfera p\u00fablica, como corrup\u00e7\u00e3o e desespero na vida nacional.<\/span>Desenho, 2005. Nanquim, hidrocor, crayon, colagem e grafite sobre papel, 21 x 29,6 cm.<\/p>\n<p><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_9\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_9\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887968_album_normal.jpg\" alt=\" Desenho, 1984. Nanquim, guache e aquarela sobre papel, 19,5 x 24,1 cm.  \" width=\"980\" height=\"964\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">9<\/span>Desenho, 1984. Nanquim, guache e aquarela sobre papel, 19,5 x 24,1 cm.<\/p>\n<p><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU3\" class=\"publi_luto_vertical\" data-google-query-id=\"CLSPypChkt4CFRXzyAodJsEPbQ\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu3_0__container__\"><iframe loading=\"lazy\" id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu3_0\" title=\"3rd party ad content\" src=\"https:\/\/tpc.googlesyndication.com\/safeframe\/1-0-30\/html\/container.html\" name=\"\" width=\"300\" height=\"250\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" sandbox=\"allow-forms allow-pointer-lock allow-popups allow-popups-to-escape-sandbox allow-same-origin allow-scripts allow-top-navigation-by-user-activation\" data-is-safeframe=\"true\" data-load-complete=\"true\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_10\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_10\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539887969_album_normal.jpg\" alt=\"Desenho, 1968. Nanquim e guache sobre cart\u00e3o, 31,7 x 25 cm.\" width=\"980\" height=\"1305\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">10<\/span><span class=\"foto-texto\">Desenho, 1968. Nanquim e guache sobre cart\u00e3o, 31,7 x 25 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_11\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_11\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888108_album_normal.jpg\" alt=\"Desenho, 25.02.2003. Guache, hidrocor e crayon sobre papel, 21 x 29,2 cm.\" width=\"980\" height=\"804\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">11<\/span><span class=\"foto-texto\">Desenho, 25.02.2003. Guache, hidrocor e crayon sobre papel, 21 x 29,2 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_12\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_12\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888109_album_normal.jpg\" alt=\"Desenho, 1973. Nanquim, hidrocor e ecoline sobre cart\u00e3o, 8,9 x 22,1 cm.\" width=\"980\" height=\"499\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">12<\/span><span class=\"foto-texto\">Desenho, 1973. Nanquim, hidrocor e ecoline sobre cart\u00e3o, 8,9 x 22,1 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU4\" class=\"publi_luto_vertical\" data-google-query-id=\"CL_585Ghkt4CFVJswQodlZAGOQ\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu4_0__container__\"><iframe id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu4_0\" title=\"3rd party ad content\" name=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu4_0\" width=\"300\" height=\"250\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" data-load-complete=\"true\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<ul id=\"contenedor_fotos\" class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_13\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_13\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888110_album_normal.jpg\" alt=\"Desenho, 1986. Nanquim e l\u00e1pis de cor sobre papel, 22,1 x 33,1 cm.\" width=\"980\" height=\"688\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">13<\/span><span class=\"foto-texto\">Desenho, 1986. Nanquim e l\u00e1pis de cor sobre papel, 22,1 x 33,1 cm.<\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_14\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_14\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888112_album_normal.jpg\" alt=\"Deforma\u00e7\u00e3o profissional, 1957. Nanquim sobre papel, 36,4 x 51,1 cm.\" width=\"980\" height=\"715\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">14<\/span><span class=\"foto-texto\">Deforma\u00e7\u00e3o profissional, 1957. Nanquim sobre papel, 36,4 x 51,1 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_15\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_15\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888113_album_normal.jpg\" alt=\"Desenho, 1956. Nanquim, ecoline e grafite sobre papel, 36,4 x 28,7 cm.\" width=\"980\" height=\"1306\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">15<\/span><span class=\"foto-texto\">Desenho, 1956. Nanquim, ecoline e grafite sobre papel, 36,4 x 28,7 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_16\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_16\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888114_album_normal.jpg\" alt=\"Parada, 1962. Nanquim, guache, aquarela e grafite sobre papel, 48,6 x 66,4 cm.\" width=\"980\" height=\"698\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">16<\/span><span class=\"foto-texto\">Parada, 1962. Nanquim, guache, aquarela e grafite sobre papel, 48,6 x 66,4 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_17\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_17\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888247_album_normal.jpg\" alt=\"Desenho de assinatura, 2005. Nanquim, guache, aquarela e grafite sobre papel, 48,6 x 66,4 cm.\" width=\"980\" height=\"747\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">17<\/span><span class=\"foto-texto\">Desenho de assinatura, 2005. Nanquim, guache, aquarela e grafite sobre papel, 48,6 x 66,4 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_18\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_18\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888248_album_normal.jpg\" alt=\"Papagr\u00e1fio, 1957. Nanquim e corretor sobre papel, 102 x 75,5 cm.\" width=\"980\" height=\"1282\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">18<\/span><span class=\"foto-texto\">Papagr\u00e1fio, 1957. Nanquim e corretor sobre papel, 102 x 75,5 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_19\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_19\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888249_album_normal.jpg\" alt=\"Exposi\u00e7\u00e3o, 1961. Nanquim, guache e grafite sobre papel, 37,7 x 55,8 cm.\" width=\"980\" height=\"673\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">19<\/span><span class=\"foto-texto\">Exposi\u00e7\u00e3o, 1961. Nanquim, guache e grafite sobre papel, 37,7 x 55,8 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_20\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_20\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888250_album_normal.jpg\" alt=\"Corros\u00e3o, 1975. Nanquim, aquarela, hidrocor e grafite sobre papel, 34,4 x 50,9 cm.\" width=\"980\" height=\"735\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">20<\/span><span class=\"foto-texto\">Corros\u00e3o, 1975. Nanquim, aquarela, hidrocor e grafite sobre papel, 34,4 x 50,9 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_21\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_21\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539888251_album_normal.jpg\" alt=\"Layout para Esta \u00e9, realmente, a verdadeira hist\u00f3ria do para\u00edso, 1963. Nanquim, guache e grafite sobre papel, 51 x 72,9 cm.\" width=\"980\" height=\"984\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">21<\/span><span class=\"foto-texto\">Layout para Esta \u00e9, realmente, a verdadeira hist\u00f3ria do para\u00edso, 1963. Nanquim, guache e grafite sobre papel, 51 x 72,9 cm.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">ACERVO MILL\u00d4R FERNANDES \/ INSTITUTO MOREIRA SALLES<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_22\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_22\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/brasil\/imagenes\/2018\/10\/18\/album\/1539887428_664461_1539897731_album_normal.jpg\" alt=\"\" width=\"980\" height=\"749\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-numero\">22<\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"articulo_contenedor\" class=\"articulo__contenedor\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A exposi\u00e7\u00e3o do IMS, que esteve em cartaz no Rio em 2016, \u00e9 a primeira retrospectiva dedicada exclusivamente ao trabalho pl\u00e1stico de Mill\u00f4r,<\/p>\n","protected":false},"author":5,"featured_media":261259,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1175,6],"tags":[],"class_list":["post-261258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-educacao","category-municipios"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/acaopopular.net\/jornal\/wp-content\/uploads\/2018\/10\/capitao-do-mato.jpg","_links":{"self":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/posts\/261258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/comments?post=261258"}],"version-history":[{"count":0,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/posts\/261258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/media\/261259"}],"wp:attachment":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/media?parent=261258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/categories?post=261258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/tags?post=261258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}