{"id":262156,"date":"2018-10-27T11:31:15","date_gmt":"2018-10-27T14:31:15","guid":{"rendered":"http:\/\/acaopopular.net\/jornal\/?p=262156"},"modified":"2018-10-27T11:31:15","modified_gmt":"2018-10-27T14:31:15","slug":"dorothea-lange-retratos-para-mudar-o-mundo","status":"publish","type":"post","link":"https:\/\/acaopopular.net\/jornal\/dorothea-lange-retratos-para-mudar-o-mundo\/","title":{"rendered":"Dorothea Lange: retratos para mudar o mundo"},"content":{"rendered":"<div class=\"cabecera__envoltorio\">\n<header id=\"cabecera\" class=\"cabecera\">\n<div id=\"cabecera__interior\" class=\"cabecera__interior\">\n<div class=\"cabecera-inferior\">\n<div class=\"cabecera-inferior__interior\">\n<div id=\"elpais\" class=\"elpais\">\n<div id=\"elpais-menu\" class=\"elpais-menu\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n<\/div>\n<div class=\"articulo__envoltorio\">\n<article class=\"articulo articulo--nointro\">\n<div id=\"articulo_interior\" class=\"articulo__interior\">\n<header id=\"articulo-encabezado\" class=\"articulo-encabezado \">\n<figure class=\"foto superior foto_w1960\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/ep01.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538054727_noticia_normal.jpg\" srcset=\"\/\/ep01.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538054727_noticia_normal_recorte1.jpg 980w, \/\/ep01.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538054727_noticia_normal_recorte2.jpg 720w, \/\/ep01.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538054727_noticia_normal.jpg 1960w\" alt=\"Migrant Mother, Nipomo, 1936.\" width=\"1960\" height=\"1522\" \/><\/figure>\n<div id=\"articulo-texto\" class=\"articulo-texto\"><span id=\"articulo-numfoto\" class=\"articulo-numfoto\"><\/span><\/p>\n<div id=\"articulo-titulares\" class=\"articulo-titulares\">\n<div class=\"articulo-subtitulos\">\n<h2 class=\"articulo-subtitulo\"><em>Pioneira da fotografia documental e testemunha excepcional de sua \u00e9poca, a obra dessa norte-americana continua sendo em alguns sentidos desconhecida. Um livro e uma exposi\u00e7\u00e3o nos aproximam dela<\/em><\/h2>\n<\/div>\n<\/div>\n<div class=\"firma \">\n<div class=\"autor\">\n<div class=\"autor-texto\"><span class=\"autor-nombre\"><a title=\"Ver todas as not\u00edcias de Gloria Crespo MacLennan\" href=\"https:\/\/brasil.elpais.com\/autor\/gloria_crespo\/a\/\">GLORIA CRESPO MACLENNAN<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n<aside id=\"compartir_superior\" class=\"compartir\">\n<div class=\"compartir__interior\">\n<div class=\"compartir-varios\"><\/div>\n<\/div>\n<\/aside>\n<div id=\"articulo-galeria\" class=\"articulo-galeria\">\n<div class=\"articulo-galeria__interior\">\n<div class=\"articulo-galeria-listado\">\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_1\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_1\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053170_album_normal.jpg\" alt=\"Foto: Manzanar Relocation Center, Manzanar, Calif\u00f3rnia, 1942. Reconhecida como uma das mulheres pioneiras da fotografia documental, cujo estilo seria definitivo na evolu\u00e7\u00e3o deste g\u00eanero, Dorothea Lange se tornou uma das poucas fot\u00f3grafas que desfrutaram de um prest\u00edgio consolidado durante seu tempo.\" width=\"980\" height=\"757\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Manzanar Relocation Center, Manzanar, Calif\u00f3rnia, 1942. Reconhecida como uma das mulheres pioneiras da fotografia documental, cujo estilo seria definitivo na evolu\u00e7\u00e3o deste g\u00eanero, Dorothea Lange se tornou uma das poucas fot\u00f3grafas que desfrutaram de um prest\u00edgio consolidado durante seu tempo.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_2\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_2\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053231_album_normal.jpg\" alt=\"Foto: Ex-escrava com uma longa mem\u00f3ria, Alabama, 1938. Dorothea Lange foi a primeira mulher a quem uma exposi\u00e7\u00e3o individual foi dedicada no MoMA. Mas sua longa hist\u00f3ria foi eclipsada pela natureza ic\u00f4nica da foto M\u00e3e Migrante.\" width=\"666\" height=\"849\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Ex-escrava com uma longa mem\u00f3ria, Alabama, 1938. Dorothea Lange foi a primeira mulher a quem uma exposi\u00e7\u00e3o individual foi dedicada no MoMA. Mas sua longa hist\u00f3ria foi eclipsada pela natureza ic\u00f4nica da foto M\u00e3e Migrante.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_3\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_3\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053190_album_normal.jpg\" alt=\"Foto: M\u00e3e migrante, Nipomo, 1936. A exposi\u00e7\u00e3o &quot;Dorothea Lange: A pol\u00edtica da vis\u00e3o&quot; chega ao Jeu de Paume, em Paris, com o objetivo de &quot;retificar esse desequil\u00edbrio e reposicionar Lange como uma voz cr\u00edtica na fotografia do s\u00e9culo XX&quot;.\" width=\"666\" height=\"865\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">\u00a0M\u00e3e migrante, Nipomo, 1936. A exposi\u00e7\u00e3o &#8220;Dorothea Lange: A pol\u00edtica da vis\u00e3o&#8221; chega ao Jeu de Paume, em Paris, com o objetivo de &#8220;retificar esse desequil\u00edbrio e reposicionar Lange como uma voz cr\u00edtica na fotografia do s\u00e9culo XX&#8221;.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA, CITY OF OAKLAND<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU1\" class=\"publi_luto_vertical\" data-google-query-id=\"CMO9w-bppt4CFcNHhgoda84N1w\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu1_0__container__\"><\/div>\n<\/div>\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_4\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_4\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053452_album_normal.jpg\" alt=\"Foto: M\u00e3e migrante, Nipomo, 1936. A exposi\u00e7\u00e3o de Paris, que traz junto um livro, \u00e9 a adapta\u00e7\u00e3o de uma exposi\u00e7\u00e3o itinerante, na qual o museu franc\u00eas tem focado &quot;o trabalho da fot\u00f3grafa em rela\u00e7\u00e3o \u00e0 an\u00e1lise dos aspectos hist\u00f3ricos e pol\u00edticos da Am\u00e9rica que ela fotografou naquela \u00e9poca&quot;, destaca Pia Viewing.\" width=\"980\" height=\"761\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">M\u00e3e migrante, Nipomo, 1936. A exposi\u00e7\u00e3o de Paris, que traz junto um livro, \u00e9 a adapta\u00e7\u00e3o de uma exposi\u00e7\u00e3o itinerante, na qual o museu franc\u00eas tem focado &#8220;o trabalho da fot\u00f3grafa em rela\u00e7\u00e3o \u00e0 an\u00e1lise dos aspectos hist\u00f3ricos e pol\u00edticos da Am\u00e9rica que ela fotografou naquela \u00e9poca&#8221;, destaca Pia Viewing.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA, CITY OF OAKLAND<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_5\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_5\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053261_album_normal.jpg\" alt=\"Carros na estrada, 1936. Library of Congress\" width=\"666\" height=\"726\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Carros na estrada, 1936. Library of Congress<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_6\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_6\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053291_album_normal.jpg\" alt=\"Crian\u00e7a ferida, Shacktown, Elm Grove, Oklahoma, 1936\" width=\"666\" height=\"713\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Crian\u00e7a ferida, Shacktown, Elm Grove, Oklahoma, 1936<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA, CITY OF OAKLAND<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU2\" class=\"publi_luto_vertical\" data-google-query-id=\"CIzw1_Hppt4CFQ1rwQodqs4OMA\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu2_0__container__\"><\/div>\n<\/div>\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_7\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_7\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053333_album_normal.jpg\" alt=\"Abandonados, parados, e varados, San Joaquin Valley, Calif\u00f3rnia, 1936\" width=\"666\" height=\"701\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Abandonados, parados, e varados, San Joaquin Valley, Calif\u00f3rnia, 1936<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA, CITY OF OAKLAND<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_8\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_8\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053353_album_normal.jpg\" alt=\"Seca-casa abandonada em Great Plains pr\u00f3ximo a Hollis, Oklahoma, 1938.\" width=\"980\" height=\"755\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Seca-casa abandonada em Great Plains pr\u00f3ximo a Hollis, Oklahoma, 1938.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA, CITY OF OAKLAND<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_9\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_9\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053376_album_normal.jpg\" alt=\"Refugiados da seca. 1935\" width=\"666\" height=\"701\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Refugiados da seca. 1935<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU3\" class=\"publi_luto_vertical\" data-google-query-id=\"CPOnwfTppt4CFQJ0wQodYoAKVA\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu3_0__container__\"><\/div>\n<\/div>\n<ul class=\"contenedor_fotos\">\n<li style=\"list-style-type: none\">\n<ul class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_10\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_10\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053401_album_normal.jpg\" alt=\"Fam\u00edlia na estrada, Oklahoma, 1938\" width=\"666\" height=\"873\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Fam\u00edlia na estrada, Oklahoma, 1938<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_11\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_11\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053424_album_normal.jpg\" alt=\"San Lorenzo, Calif\u00f3rnia, 1942. Dia de transmiss\u00e3o 48 horas antes da evacua\u00e7\u00e3o da as pessoas com ancestrais japoneses desta comunidade granjeira no condado de Santa Clar.\" width=\"666\" height=\"699\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">San Lorenzo, Calif\u00f3rnia, 1942. Dia de transmiss\u00e3o 48 horas antes da evacua\u00e7\u00e3o da as pessoas com ancestrais japoneses desta comunidade granjeira no condado de Santa Clar.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_12\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_12\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053488_album_normal.jpg\" alt=\"Pr\u00f3ximo a Eutah, Alabama, 1936\" width=\"666\" height=\"662\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Pr\u00f3ximo a Eutah, Alabama, 1936<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div id=\"elpais_gpt-MPU4\" class=\"publi_luto_vertical\" data-google-query-id=\"CLGim_bppt4CFcF4wQodsiUP8g\">\n<div id=\"google_ads_iframe_\/7811748\/elpais_web\/fotogalerias\/brasil\/mpu4_0__container__\"><\/div>\n<\/div>\n<ul id=\"contenedor_fotos\" class=\"contenedor_fotos\">\n<li id=\"id_gal_pasa_13\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_13\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053524_album_normal.jpg\" alt=\"A fila do p\u00e3o de White Angel, San Francisco, 1933\" width=\"666\" height=\"891\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">A fila do p\u00e3o de White Angel, San Francisco, 1933<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_14\">\n<figure class=\"foto foto_w980\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_14\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053547_album_normal.jpg\" alt=\"Um lenhador vai com sua mulher \u00e0 colheita de feij\u00f5es. Leva em seu bra\u00e7o tatuado o n\u00famero de seguran\u00e7a social. Oreg\u00f3n, 1939\" width=\"980\" height=\"718\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Um lenhador vai com sua mulher \u00e0 colheita de feij\u00f5es. Leva em seu bra\u00e7o tatuado o n\u00famero de seguran\u00e7a social. Oreg\u00f3n, 1939<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_15\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_15\" class=\"horizontal\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053574_album_normal.jpg\" alt=\"Fazia Los Angeles, Calif\u00f3rnia, 1937\" width=\"666\" height=\"657\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Fazia Los Angeles, Calif\u00f3rnia, 1937<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">DOROTHEA LANGE \/ THE OAKLAND MUSEUM OF CALIFORNIA<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<li id=\"id_gal_pasa_16\">\n<figure class=\"foto foto_w666\"><span class=\"fondo_img\"><img loading=\"lazy\" decoding=\"async\" id=\"foto_gal_16\" class=\"vertical\" src=\"https:\/\/ep00.epimg.net\/elpais\/imagenes\/2018\/09\/27\/album\/1538052709_305875_1538053210_album_normal.jpg\" alt=\"Dorothea Lange em Telhas, circa 1935.\" width=\"666\" height=\"699\" \/><\/span><figcaption class=\"foto-pie\"><span class=\"foto-texto\">Dorothea Lange em Telhas, circa 1935.<\/span><span class=\"foto-firma\"><span class=\"foto-autor\">PAUL S. TAYLOR \/THE DOROTHEA LANGE COLLECTION<\/span><\/span><\/figcaption><\/figure>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Pioneira da fotografia documental e testemunha excepcional de sua \u00e9poca, a obra dessa norte-americana continua sendo em alguns sentidos desconhecida. Um livro e uma exposi\u00e7\u00e3o nos aproximam dela<\/p>\n","protected":false},"author":5,"featured_media":262157,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1175,6],"tags":[],"class_list":["post-262156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-educacao","category-municipios"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/acaopopular.net\/jornal\/wp-content\/uploads\/2018\/10\/dorote-fotografa.jpg","_links":{"self":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/posts\/262156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/comments?post=262156"}],"version-history":[{"count":0,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/posts\/262156\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/media\/262157"}],"wp:attachment":[{"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/media?parent=262156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/categories?post=262156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acaopopular.net\/jornal\/wp-json\/wp\/v2\/tags?post=262156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}